In 1988 my work suddenly changed from representational to abstract after a breakthrough experience about the nature of reality. The experience was such a profound shift in awareness that it can only be described by metaphor. It was as if a fish grew wings to soar outside the small confining bowl of it's existence. The revelation about the infinite creative potential of Being transformed my understanding of life, so i then felt compelled to paint abstractly.
Abstract painting felt like an exciting new discovery that created a passionate interest i have enjoyed ever since. Ten years of independent study led to a formal education in abstract painting through Portland State University.
During the years of formal training and practice, i worked in the graphic arts industry, then began making fine art books in 2001. While visiting one of Portland's largest galleries for a show by Peter Max, the gallery Director saw a book i made of my work, then asked to visit my studio at home. The visit was followed by an invitation to begin showing at the gallery which launched my career as a professional artist.
I have been painting full time now since 2003.
The process of my work often begins with a canvas laid flat for thick painted surfaces using a palette knife, large brush, sponge, hands or simply pouring on the colors. Working on 10 to 20 at once, layers are built up over several months and can be 50 to 100 deep. Finishing touches are added with a variety of techniches usually including fine brush work or occassionally using an air brush.
After completing the physical work, an essential part of my process involves what i feel is a collaboration with viewers. Listening to feedback and building relationships then creates a form of synergy which informs future work.
Viewers respond to my work with a range of emotions including a sense of inspiration, mystery, surprise and enchantment. I often hear the comment that people feel welcomed in to the painting in a way that frees their imagination to explore or discover new worlds of color, light and form. Several comments in the last couple years have described a sense of drama that suggests "a living story". I’ve heard the phrase, “a living story” from several different people.
The work can also be enjoyed simply for the rich textures of color and how those elements enhance their business or home.
My first professional studio and gallery was opened in 2008, on the east bank of the Willamette river near downtown Portland, Oregon. Friends or clients are always welcome to visit the studio 7 days a week.
